“Copenhagen is a bear of a script, Densely intellectual, it’s insanely difficult to perform. And Aenigma Theatre, which is a small, amateur company, does an admirable job with it… Director Tanya Mathivanan and her actors do an impressive job of finding the heart in a heady play.”- Colin Thomas
“The actors at curtain call got a resounding applause at the full house opening night presentation of this show under the excellent direction of Tanya Mathivanan. Francis Boyle (Niels Bohr), Eric Regimbald (Werner Heisenberg) and Tara Pratt (Magreth Bohr) were fabulous in the delivery of lines, pacing and blocking… This is a must-see show..”- Ed Farolan, Review Vancouver
“… the cast is superb… The trio’s natural delivery, even as dialogue becomes laden with science, helps immensely in conquering this intellectual exercise…Director Tanya Mathivanan effectively stages Copenhagen in the round on Sarah Melo’s spare set. Like electrons circling the nucleus of an atom, Mathivanan presents the play’s narration as characters navigate around the central playing area.”- Mark Robins, Vancouver Presents!
DYING CITY (2016)
"Chang masterfully brings off the contrast between the doomed, gruff reservist and the whiney surviving twin. Only gradually does it dawn on us how inexorably the bonds between the two brothers transcend time and fate. Bortolin, for her part, projects a bereaved persona so encrusted that it’s painfully cathartic to see her break through to reconnect with her pre-traumatised self. Producer/director Tanya Mathivinan (with the able backing of Sarah Melo’s sets, Tory Ip’s costumes and Scott Zechner’s lighting) uses clever staging and fast-paced blocking to offset the many flashbacks."- Lincoln Kaye, Vancouver Observer
"The audience was moved by the performers from the warm applause at curtain call."- Ed Farolan, Review Vancouver
"Under the direction of Tanya Mathivanan, Dying City at the Vancouver Fringe is very well acted,and the stage and sound are skilfully created with a minimalist aesthetic...I left the theatre knowing I’d like to see more work by Christine Bortolin, Garland Chang and the crew of Aenigma Theatre."- Keith Wilkinson, Plank Magazine.
Chosen as one of Vancouver Presents! Top Ten Picks in “THE BEST OF VANCOUVER THEATRE IN 2016".
Chosen as one of the VANCOUVER COURIER’S 4 PICKS OF THE WEEK (June 30th- July 6th)
“With a bigger emphasis on the emotional in this current production, I left the Little Mountain Gallery with tears in my eyes. In that moment, feeling was much more important than thinking.”- Mark Robins, Vancouver Presents
“The engaging and vigorous debates between Bodor and Dodd spoke to the age-old question... what is the true definition of art? They did an amazing job to reinforce that art is subjective and to remind each one of us that art is in the eye of the beholder.”- Review Vancouver
“I was impressed by the fluidity by which the language used was spoken so with ease and confidence by both actors. In terms of acting, I commend both David (Rothko) and Patrick (Ken) for putting their all into the characters especially so during the scene of the final argument.”- Christine Kim, CiTR Radio
Chosen as one of WESTENDER’S TOP 15 PICKS OF FRINGE 2015
“From start to finish, I would say that Tanya Mathivanan’s distinct directing style was all over this play… In conclusion, I would say the play did a good job in weaving a captivating story that definitely kept my attention.”- CiTR Radio Christine Kim)
“Blackbird has a lot to offer as a play. This is a great opportunity to see an award-winning, taboo busting story that tackles some very dark, but very real issues. Kudos to Aenigma Theatre fortaking on such a meaty production and sharing it with Vancouver audiences. It’s a gut-wrenching production and one that left me thinking long after I had left the theatre.” – Plank Magazine
“The acting was very good. You'd think these two actors were trained by New York's Actors' Studio. Kudos also to Director Tanya Mathivanan for a play well-directed. We've reviewed Aenigma Theatre's productions in the past (Sartre's No Exit and Albee's Zoo Story”) and we gave accolades for those productions, the same way I'm doing to this one. – Review Vancouver
THE ZOO STORY (2014)
“I am a fan of well-portrayed psychological dramas, and this production certainly is.”- Plank Review
“Tom Stevens… is utterly a revelation…[h]e is mesmerizing to see, and it will be well worth your time to check this show out at this year's Fringe!”- Fun! Fun! Vancouver!
“Director Tanya Mathivanan…deserves high praise for the many striking ways in which she achieves so delicate a fluidity of both pacing and intensity. There is a voluble vitality, at once palpable, personal and provocatively mute that lies at the back of the inexorable narrative archetypical in-your-face plotline in the sand that Jerry daringly crosses”- Review Vancouver
“In Edward Albee's The Zoo Story a strong cast takes this strange little one-act and turns it into a harrowing theatrical experience.”- Vancouver Courier (Jo Ledingham)
“I found that through watching this, I was really reminded about the beauty of theatre and the power it can have in conveying such difficult ideas about society and the reality that we live in…this is one play that I would definitely encourage everyone to go watch”- CiTr Radio
NO EXIT (2014)
“This is a must-see show! Directed by Tanya Mathivanan, this Sartrean classic…was well directed and the four actors --Jordan Kerbs, Harrison MacDonald, Annie Arbuckle and Michael Stewart--were all top caliber…The pacing of this 1.5 hour was perfect, and I liked the final touch of Mathivanan.” -Review Vancouver
““No Exit” received a well thought-out and thought-provoking presentation, directed by Aenigma’s founder, Tanya Mathivanan. The director who, with a talented group of UBC Theatre grads, shows she’s not afraid to tackle difficult theatre pieces…Look for more Aenigma Theatre presentations. If this first one is any indication, the life of theatre in Vancouver will be greatly enhanced with these players strutting their stuff.”- Entertainment Vancouver
“I was definitely blown away by how funny and conversationally appealing the lines of the play were acted and directed…I would definitely recommend this play for those people who would like a play to leave you thinking, but keep you interested throughout.”- CiTr Radio